In 1940s Los Angeles, two former boxers-turned-cops must grapple with corruption, narcissism, stag films and family madness as they pursue the killer of an aspiring young actress.

A young rookie cop and his team discover dismembered female bodies in L.A. similar to the Black Dahlia cold case from 1947. A serial killer seems to be copying the brutal massacre of 1940s Hollywood starlet Betty Short. Ultimately his investigation leads him to a frightening lair of death and torture, all part of a terrifying fantasy that the killer is trying to bring to life.

American Regent's star employee, Jennifer, is being haunted by horrifying nightmares and hallucinations ever since the mysterious disappearance of her assistant. Now faced with an impossible deadline she and her employees are forced to work through the night, but after everyone else goes home strange things begin to happen.

Just in time for the elections, Lewis Black returns to take on Donald Trump and Hillary Clinton.

Just in time for the elections, Lewis Black returns to take on Donald Trump and Hillary Clinton.

Paul and Jennifer Hemdale have just moved into their dream house. But their happy marriage is about to be put to the test as they slowly discover the secret behind the black room in the cellar. Something else is already living in their new home and it is growing stronger every day.

“In The Black Tower we enter the world of a man haunted by a tower which, he believes, is following him around London. While the character of the central protagonist is indicated only by a narrative voice-over which takes us from unease to breakdown to mysterious death, the images, meticulously controlled and articulated, deliver a series of colour coded puzzles, jokes and puns which pull the viewer into a mind-teasing engagement. Smith’s assurance and skill as a filmmaker undercuts the notion of the avant-garde as dry, unprofessional and dull and in The Black Tower we have an example of a film which plays with the emotions as well as the language of film.” 　　----Nik Houghton, Independent Media 1987

“In The Black Tower we enter the world of a man haunted by a tower which, he believes, is following him around London. While the character of the central protagonist is indicated only by a narrative voice-over which takes us from unease to breakdown to mysterious death, the images, meticulously controlled and articulated, deliver a series of colour coded puzzles, jokes and puns which pull the viewer into a mind-teasing engagement. Smith’s assurance and skill as a filmmaker undercuts the notion of the avant-garde as dry, unprofessional and dull and in The Black Tower we have an example of a film which plays with the emotions as well as the language of film.” 　　----Nik Houghton, Independent Media 1987

Finney Blake, a shy but clever 13-year-old boy, is abducted by a sadistic killer and trapped in a soundproof basement where screaming is of little use. When a disconnected phone on the wall begins to ring, Finney discovers that he can hear the voices of the killer’s previous victims. And they are dead set on making sure that what happened to them doesn’t happen to Finney.

A Liverpool tarmac gang set off for a contract in Middlesbrough. After a day of work, the group are approached by two gypsies who offer them a lucrative side job.